You Laugh But It’s True: Humor and Institutional Racism in Born a Crime

Students explore how Trevor Noah leverages elements of fiction such as characterization, figurative language, and tone to develop his complex argument about institutional racism and its impact on identity development.

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ELA

Unit 2

9th Grade

Unit Summary


This is the new 2023 edition of our 9th Grade unit on Born a Crime by Trevor Noah.

“Since I belonged to no group I learned to move seamlessly between groups. I was a chameleon, still, a cultural chameleon” (p. 140)
-  Born a Crime, Trevor Noah 

In Unit 2, students will continue to explore the idea of identity, examining the complexity of identity development while one navigates race, culture, and institutional racism in South African society during and after apartheid as they read Born a Crime by Trevor Noah. During this unit, students will analyze how an author employs literary and rhetorical elements such as tone, characterization, anecdotes, imagery, and figurative language. In addition, students will consider how Noah intentionally structures his narrative nonfiction text, and understand how he uses humor to develop his complex argument about racism and its impact on identity development.

This unit begins with students learning important historical background about apartheid in South Africa. Students will read informational texts on apartheid and its policies and also learn about Nelson Mandela, engaging in a close rhetorical analysis of Mandela’s inaugural speech where they consider the power of words to unite people and inspire hope for a nation. Students will also participate in a short research project on a specific aspect of South African history, presenting their findings to their peers through a digital presentation, thus deepening their background knowledge before reading the memoir. 

The second arc of the unit is a study of Trevor Noah’s Born a Crime, a memoir about Noah’s time growing up as a half-black half-white boy under apartheid and in the post-apartheid era in the 1990s. While reading, students will track pivotal moments in the text where Noah uses humor, noting when, how, and why he uses humor. Additionally, students will frequently zoom out and analyze the development of Noah’s argument about the intersection between race, identity, and institutional racism. Students will also engage in two formative writing assessments that will invite them to emulate Noah’s writing style, employing tone, dialogue, description, and imagery, using key scenes from their reading as mentor texts.

In the third and final arc of the unit, students will prepare for and participate in a summative socratic seminar on Noah’s Born a Crime and complete the performance task, a personal narrative, that asks students to consider their own identity development and the impact of societal and structural forces, leveraging Born a Crime as a mentor text.

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Texts and Materials


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Core Materials

Supporting Materials

Assessment


These assessments accompany Unit 2 and should be given on the days suggested in the Lesson Map. Additionally, there are formative and creative assessments integrated into the unit to prepare students for the Performance Task.

Free Response Question

The Free Response Question is an open-ended prompt that assesses students ability to analyze and interpret a given text or literary work, apply critical thinking skills, and construct well-supported arguments. Free Response Questions can be on-demand timed writing or take-home assignments, depending on the needs of students.

Socratic Seminar

The Socratic Seminar assesses students on their ability to push themselves and their peers to think critically and participate meaningfully in conversation by collecting and evaluating evidence, actively listening, and responding thoughtfully. Socratic Seminar assessments may occur mid-unit as a way to synthesize the ideas of the text/unit to that point or summative, taking place at the end of a unit.

Performance Task

The Performance Task is the culminating assessment of the unit in which students have the opportunity to show the skills and content they have learned.

Key Knowledge


Intellectual Prep

Unit Launch

Before you teach this unit, unpack the texts, themes, and core standards through our guided intellectual preparation process. Each Unit Launch includes a series of short videos, targeted readings, and opportunities for action planning to ensure you're prepared to support every student.

Essential Questions

Thematic

  • Race, Culture, and Identity Development: How does our race, culture, and upbringing shape who we are and who we become? To what extent do we have control of our identities and peoples' perceptions of us?

Skill

  • What role does humor play in developing arguments? How does the author use it to establish a connection with the audience? Convey difficult ideas? Build an argument? 
  • How does an author use rhetorical features and stylistic elements to contribute to the meaning of an argument? 

Vocabulary

Text-based

abhorrentaffinityamnestyanimosityanomalyapartheidarbitraryassimilateconfercovenantdenouncedisavowdynamicexcoriateexpropriateideologyimbueinalienableincoherentindignityindemnityobstinacyperniciouspredicamentpropagatepugilisticramificationrestitutionsinister

Literary Terms

anecdoteanaphoraepistropheimagerymetaphorrhetoricsecond person point of viewsimiletone

To see all the vocabulary for Unit 2 , view our 9th Grade Vocabulary Glossary.

Notes for Teachers

  • While a majority of Born a Crime is covered in the lesson plans, there are a few chapters that are skipped because they are not directly related to Trevor’s racial identity development, the focus of the unit. In particular, Chapter 7 “Fufi” is Trevor’s story about his pet dog; Chapters 10, 12, and 14 feature Trevor’s romantic interests growing up. These chapters do not contain problematic content and, like so many of Noah’s stories, are filled with humorous anecdotes; teachers could still choose to assign these chapters to enhance students’ reading. 
  • The title of Chapter 15,“Go Hitler!”, is more provocative than its content.  The chapter focuses on Noah and his friends, one of whom is actually named Hitler, and how they booked gigs to DJ and dance at parties. In this chapter, Noah explains the tradition of names in South Africa and that black people in South Africa were not taught about Hitler and anti-Semitism and the Holocaust like Westerners. At the end of the chapter, there is an uncomfortable moment where Trevor and his friends are shouting “Go Hitler!” in support of their friend who is dancing at a gig at a Jewish school. There is a lot of rich content to unpack in this chapter related to what shapes our perspective on and notions of history, but because this chapter is a long detour from Trevor’s personal racial identity development and in the interest of classroom instructional time, we have chosen not to craft a lesson around it.

Lesson Map


Common Core Standards


Core Standards

L.9-10.1
L.9-10.2.c
L.9-10.3
L.9-10.5
L.9-10.6
RI.9-10.1
RI.9-10.2
RI.9-10.3
RI.9-10.3
RI.9-10.4
RI.9-10.4
RI.9-10.5
RI.9-10.6
RI.9-10.7
RI.9-10.8
SL.9-10.1
SL.9-10.3
SL.9-10.4
SL.9-10.5
SL.9-10.6
W.9-10.2
W.9-10.2.a
W.9-10.2.b
W.9-10.2.c
W.9-10.2.d
W.9-10.2.e
W.9-10.2.f
W.9-10.3
W.9-10.3.a
W.9-10.3.b
W.9-10.3.c
W.9-10.3.d
W.9-10.3.e
W.9-10.4
W.9-10.5
W.9-10.5
W.9-10.7
W.9-10.8
W.9-10.9

Supporting Standards

L.9-10.1
L.9-10.2
L.9-10.2.c
L.9-10.3
L.9-10.3.a
L.9-10.6
RI.9-10.1
RI.9-10.2
RI.9-10.3
RI.9-10.4
RI.9-10.7
RI.9-10.10
SL.9-10.1
SL.9-10.6
SL.9-10.6
W.9-10.1
W.9-10.2
W.9-10.2.a
W.9-10.2.b
W.9-10.2.c
W.9-10.2.d
W.9-10.2.e
W.9-10.2.f
W.9-10.3
W.9-10.4
W.9-10.4
W.9-10.5
W.9-10.6
W.9-10.9
W.9-10.9.b
W.9-10.10

Next

Determine the central causes and effects of apartheid in South Africa and how it impacted different groups in society.

Lesson 1
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