Unit Summary
This is the new 2023 edition of our 9th Grade unit on Born a Crime by Trevor Noah.
“Since I belonged to no group I learned to move seamlessly between groups. I was a chameleon, still, a cultural chameleon” (p. 140)
- Born a Crime, Trevor Noah
In Unit 2, students will continue to explore the idea of identity, examining the complexity of identity development while one navigates race, culture, and institutional racism in South African society during and after apartheid as they read Born a Crime by Trevor Noah. During this unit, students will analyze how an author employs literary and rhetorical elements such as tone, characterization, anecdotes, imagery, and figurative language. In addition, students will consider how Noah intentionally structures his narrative nonfiction text, and understand how he uses humor to develop his complex argument about racism and its impact on identity development.
This unit begins with students learning important historical background about apartheid in South Africa. Students will read informational texts on apartheid and its policies and also learn about Nelson Mandela, engaging in a close rhetorical analysis of Mandela’s inaugural speech where they consider the power of words to unite people and inspire hope for a nation. Students will also participate in a short research project on a specific aspect of South African history, presenting their findings to their peers through a digital presentation, thus deepening their background knowledge before reading the memoir.
The second arc of the unit is a study of Trevor Noah’s Born a Crime, a memoir about Noah’s time growing up as a half-black half-white boy under apartheid and in the post-apartheid era in the 1990s. While reading, students will track pivotal moments in the text where Noah uses humor, noting when, how, and why he uses humor. Additionally, students will frequently zoom out and analyze the development of Noah’s argument about the intersection between race, identity, and institutional racism. Students will also engage in two formative writing assessments that will invite them to emulate Noah’s writing style, employing tone, dialogue, description, and imagery, using key scenes from their reading as mentor texts.
In the third and final arc of the unit, students will prepare for and participate in a summative socratic seminar on Noah’s Born a Crime and complete the performance task, a personal narrative, that asks students to consider their own identity development and the impact of societal and structural forces, leveraging Born a Crime as a mentor text.