To the Horizon and Back: Janie's Search for Identity in Their Eyes Were Watching God

Students will examine Janie's evolution on her journey of self-discovery, exploring how Hurston uses motifs to develop Janie's ideas about love and relationships, independence, and identity.

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ELA

Unit 3

11th Grade

Unit Summary


One of the most influential voices of the Harlem Renaissance and the 20th century, Zora Neale Hurston's own childhood growing up in the all-Black town of Eatonville, Florida and later her work as an anthropologist led to the creation of her masterpiece, Their Eyes Were Watching God. The novel opens with Janie Crawford walking back into the town of Eatonville, facing the harsh gossip of the townspeople who judge her for wearing overalls and her hair in a braid, and running off with a younger man. In the quiet privacy of Janie's back porch, Janie Crawford begins telling her life story to her best friend Pheoby, and through this frame narrative, Hurston begins Janie's tale of self-discovery. Over the course of her life, including three marriages, Janie transforms into an independent, empowered woman who uses her own voice to convey her journey to the horizon and back.

At the beginning of the unit, students will engage with a text set to learn important background knowledge on the historical and cultural context of the novel, including Hurston's use of Southern African American dialect of the early-20th century in her fiction writing to preserve Black language and folklore. They will also read Hurston's 1928 essay "How it Feels to Be Colored Me," analyzing how she develops her unique perspective on her identity as a Black woman, leading into her novel which centers a Black female protagonist. 

While reading, students will pay particular attention to Hurston's use of motifs, culminating in a final performance task in which students craft a motif functional analysis for how one motif develops Janie's journey of self-discovery and connects to the novel's broader themes. During the unit, students will also engage in supplemental activities and readings, using Hurston's own rich figurative language and imagery to craft their own found poems and looking at poetry related to the theme of womanhood.

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Texts and Materials


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Core Materials

Supporting Materials

Assessment


These assessments accompany Unit 3 and should be given on the days suggested in the Lesson Map. Additionally, there are formative and creative assessments integrated into the unit to prepare students for the Performance Task.

Socratic Seminar

The Socratic Seminar assesses students on their ability to push themselves and their peers to think critically and participate meaningfully in conversation by collecting and evaluating evidence, actively listening, and responding thoughtfully. Socratic Seminar assessments may occur mid-unit as a way to synthesize the ideas of the text/unit to that point or summative, taking place at the end of a unit.

Performance Task

The Performance Task is the culminating assessment of the unit in which students have the opportunity to show the skills and content they have learned.

Key Knowledge


Intellectual Prep

Essential Questions

  • What is love? What types of love exist, and how does each one shape us?
  • How do we search for and discover our own authentic identity in the face of external pressures and societal expectations? 
  • How does discovering one's voice empower individuals to define themselves, navigate relationships, and engage with the world?

Vocabulary

Text-based

affrontcommiseratedesecratefractiouslanguishmalicereproofresignationstolidnesssupplicationtemerity

Literary Terms

dialectfigurative languagefoilforeshadowframe narrativeimagerymoodmotifpersonificationsymboltone

To see all the vocabulary for Unit 3 , view our 11th Grade Vocabulary Glossary.

Notes for Teachers

The N-word is used throughout the novel. The N-word is a profoundly offensive racial slur that has been used to demean, dehumanize, and oppress Black individuals, particularly those of African descent. The word originated from the Latin term niger, meaning "black," which evolved into Spanish and Portuguese as negro. People used this term, particularly during the transatlantic slave trade, and the eras of slavery and segregation in the United States adapted and weaponized the term as a tool of systemic racism and hatred.

Before starting the text, it is imperative that teachers prepare students for its use in the text. Black or African American students, in particular, can be harmed by seeing the word in the text without any warning. Teachers should understand the history of the word and unpack and facilitate discussions with students about the history and usage of the word. In your classroom communities, establish that the word should never be said aloud in class. If reading the text aloud, teachers should replace its use with "N-word." When citing the text in classroom materials or in writing, replace it with "N-word" or "n—" as seen in our lesson plans. Below are some resources to further prepare you and your students for its use in the text:

In addition, it might be confusing to some students why Black characters use the racial epithet towards one another. A helpful resource to use with students is Gloria Naylor's essay "The Meaning of a Word" which explores how words can take on different meanings depending on who uses them and for what purpose. She recounts how growing up in her Black family and community, she heard the word many times, but only when a white classmate directed the word towards her did she really hear the word. This essay could provide a foundation for students being able to understand the differences between the use of the word by Black and white characters in the novel.

In the novel, the words "colored" and "Negro" also appear as racial descriptors. Before reading the novel, be sure to explain to students that these words were once the terminology used to refer to people of African descent and were replaced by "Black" or "African American" in the 1960s, primarily due to the Civil Rights Movement and the Black Power Movement. Students should understand that these terms are now offensive and outdated. Additionally, Fishtank capitalizes "Black" in accordance with The New York Times's decision to capitalize "Black" in 2020 to reflect a shared cultural identity. Consider explaining to students why "Black" is capitalized and why white is not capitalized. Have students follow this style guideline for written responses throughout the unit. 

As students will learn in the opening lesson of the unit, Hurston writes in Southern African American Vernacular English of the early 20th century. The dialect can be challenging to students as they first begin to read the novel; therefore, we strongly suggest the use of the audiobook (narrated by Ruby Dee) at the beginning of the novel and offer it as a supplementary resource to any students who might benefit from listening to the text.

Lesson Map


Common Core Standards


Core Standards

L.11-12.5
RI.11-12.2
RI.11-12.4
RI.11-12.6
RI.11-12.7
RL.11-12.1
RL.11-12.2
RL.11-12.3
RL.11-12.4
RL.11-12.5
RL.11-12.6
SL.11-12.1.a
SL.11-12.1.b
SL.11-12.1.c
SL.11-12.1.d
SL.11-12.2
SL.11-12.3
SL.11-12.4
W.11-12.1
W.11-12.1.a
W.11-12.1.b
W.11-12.1.c
W.11-12.1.d
W.11-12.1.e
W.11-12.3
W.11-12.4
W.11-12.5
W.11-12.9

Supporting Standards

L.11-12.1
L.11-12.2
L.11-12.3
L.11-12.6
RI.11-12.1
RI.11-12.2
RI.11-12.10
RL.11-12.1
RL.11-12.5
RL.11-12.7
RL.11-12.10
SL.11-12.1
SL.11-12.6
W.9-10.9
W.9-10.9
W.9-10.10
W.9-10.10
W.11-12.9
W.11-12.10

Read Next

To the Horizon and Back: Janie's Search for Identity in Their Eyes Were Watching God
Lesson 1
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